Posts Tagged ‘Envy’

Boredom, Anxiety and Envy: a Kierkegaardian Attempt to Understand The Trump Question (pt.4)

July 6, 2016

CONCLUSIONS

In Two Ages, Kierkegaard compares the present age to a Roman emperor, fat, bored, wandering through his palace and through life looking for something to amuse himself. He isn’t evil, exactly, so much as simply sullen, lethargic and self-centered, and desperate for something new to stimulate his senses. He torments others simply out of boredom. Likewise, Kierkegaard says, the present age delights in having a tabloid press to torment and humiliate the best and brightest, anyone who stands out from the crowd, simply so the rest of us can watch and be entertained for awhile. Kierkegaard started his authorship with a discussion of boredom, and here when he is beginning a new phase in his career he is returning to it. Boredom and envy are connected, in a way neither is to anxiety, leading Kierkegaard to mention them both in the same breath.

The connection is passion. This seems to be an easy concept to misunderstand; in The Logic of Subjectivity Louis Pojman, who is normally a pretty sharp cookie, compares Kierkegaard’s discussion of passion to Hume’s notion that “reason is a slave to the passions.” This is clearly off target, since Hume’s point is that we have no real freedom to act against our desires while Kierkegaard is saying we should strive to free ourselves from just that sort of bondage to our whims and appetites. Taking what Kierkegaard says about passion in various references and bringing it together, it is clear that the essential quality of the life of passion is that the individual feels that what he or she does matters. Don Juan, lost in the moment of pure pleasure, feels absolutely alive.[1] He is totally immersed; no part of him stands outside what he is engaged with; he is passionate. However, that sort of passion cannot survive reflection or even self-awareness; it starts to collapse as soon as it is put into words. The pre-moral, esthetic life described in Either/Or is a life lived for arbitrary goals, and thus is essentially meaningless; the more one becomes self-aware and reflective, the more one finds oneself standing outside oneself, unable to fully immerse in whatever arbitrary project one has chosen. It is simply too small. And being essentially meaningless, it is essentially boring. Don Juan can pull it off mostly because he is a fictional character in an opera, and exists only in imagination and music; a real person is never safe from the threat of self-reflection. Kierkegaard thus depicts the egoistic, pre-moral life of the esthete as something of a willful self-deceit, where the esthetic person either invests his or her life in some petty project or rotates between petty projects, and avoids boredom mostly by luck if at all.

In the age of revolution, people are swept up in a shared passion. That may not be a good thing; the same passion that led to the overthrow of tyranny also led to The Terror and to the destruction of the Napoleonic wars. Passion, in and of itself, may not be moral; but it is at least alive. People feel that things matter. Without reflection to go along with that passion, you can have wildness, irrationality, and a loss of sense of individuality; but at least you have the vital force. With both reflection and passion, you have liveliness together with self-awareness, and you have a community of moral individuals. With reflection and no passion, as in the present age, you have triviality. Nothing matters, and what’s more, we feel clever because our reflection has shown us that nothing matters so we are not being fooled. We don’t fight for the good or against the evil, because we don’t feel that either matters; we simply don’t think those words apply to us. We might temporarily flare up in some passing enthusiasm, but it soon fades because it is as arbitrary as anything else, and we lapse into bored triviality. I think of how outraged we all were when Cecil the lion was killed, for awhile, but how little most of us think about the extermination of the world’s most majestic species. No one really cares about the moral principle; they just wanted to be part of the moment and part of the crowd gathered to mourn Cecil. If anyone had actually acted on all that outrage, either to avenge Cecil or to dedicate his or her life entirely to saving Earth’s endangered animals, we would have considered it madness. It is acceptable to get angry and to tweet death threats even, to sign a petition and to talk about it endlessly on Facebook for two weeks; but then, really, you have to get on with your life, right?

In an early journal entry, written when Kierkegaard was merely a perpetual student, he wrote that he was seeking “the cause for which I can live and die.” That is what it is to live a life of passion! And that is what is lacking in the present age, according to Kierkegaard. No one has a cause. In the age of revolution, everyone has a cause, whether you are a revolutionary or a reactionary; either way, you are part of the same passion, and the revolution matters. People in a revolutionary age don’t all agree, but they all care about the same thing; even if some love it and some hate it, “it” is the same. In the age of reflection without passion, we have no cause, and those who do seem strange, even fanatical.

In this boredom, when nothing matters, our attention has no common focus and no higher focus than one another. That reflection that tells us that nothing matters turns on our neighbors, as we determine to prove that any claim to “matter” is arrogance. Therefore, we level. Leveling is the prime social expression for passionlessness, which is the literal meaning of “apathy.” The leveling society is the apathetic society, knocking down the highest out of sheer boredom.

The escape from boredom, which Kierkegaard traces through Either/Or to the Concluding Unscientific Postscript, is to choose to live a life where things do matter. As his pseudonym The Judge says, it is not to choose the good, but first to choose to allow the concepts of “good” and “evil” into one’s life. As Ron Green points out in Kierkegaard and Kant: the Hidden Debt, Kierkegaard starts with a very Kantian notion of what “ethics” means: that one lives according to the moral law that one discovers with one’s own moral reason. Just as logic is a purely mental law that dictates what is rational or irrational thinking, so the moral law is a purely rational principle that dictates what is moral or immoral action. To reject either logic or morality is certainly possible; in fact, few of us live totally logical or moral lives. But insofar as a person is not a slave to whims and appetites and irrational impulses, one lives according to these laws of rationality and morality that one finds within one’s own reason. The only way one can escape being determined by the essentially meaningless pursuits of the egoist is to choose the ethical life. When one does this, one has something far more important to deal with than whether one’s neighbor is getting too uppity; so the moral passion of the ethical life can be the antidote to envy.

Thus, the escape from boredom and from envy is the same: reject apathy and embrace the life lived for what matters. However, at this point anxiety rears its head. As Kierkegaard says, to live with the knowledge of good and evil is to live in anxiety. One first becomes aware of the distinction by becoming aware that one has done the evil, and cannot undo it, and might even do it again. The more one tries to escape from anxiety through one’s own power, the more anxious one becomes. Eventually, since anxiety is “the dizziness of freedom,” the only escape from anxiety is to try to escape from one’s own freedom. For this reason, says The Concept of Anxiety, the person may be tempted to try to immerse himself or herself in the trivial and philistine life of social conformity. I find myself to be desperately bored; I realize my life and my concerns are meaningless, and seek to find what really matters, that is, what is good; when I find it, I realize that I have in fact done what is worthless and evil, and that it still remains a tempting possibility; the more I try to live a meaningful life the more stressful and anxious I find this constant threat of falling again into what I now know to be the evil; and finally I choose to simply embrace the soulless conformity of the passionless, reflective society. Thus boredom and envy are not just the problems of those who know nothing more in life; they are much more the characteristics of those many who are actively choosing to live lives without a relationship to what is truly good.

The only true escape from anxiety and envy, according to Kierkegaard, is to choose the religious life. Again, this is a claim that is likely to be misunderstood by postmodern Americans. Most of what we typically call “religious”— social conformity and judgmentalism, blindly following a charismatic leader, allowing others to tell us the moral rules and convincing ourselves that using our own minds is somehow wicked and rebellious—- this is actually what Kierkegaard would consider more of that anxious, envious, self-immolating life that Kierkegaard labels “objectivity,” “idolatry” or “demonic.” True religiousness starts with the attempt to find the good: that is, with the ethical. For Kierkegaard, the attempt to live an ethical life by following one’s moral reason serves much the same function as the Law in Paul’s epistles and Luther’s theology.[2] One must first try to live according to the ethical, and fail, and in failing realize one’s need for grace. At the same time, grace is not there to free one from trying to live a good life; it is there to free one from the burden of one’s past failures, so that one can try again. Grace allows one to finally be free from the overwhelming burden of anxiety, which otherwise leads one to flee the whole attempt to live a life as a morally directed individual.[3] Particularly in Concept of Anxiety, but consistently throughout Kierkegaard’s authorship, “the good” is individuating; to pursue the good is to be an individual, and to try to evade the personal effort of being an individual moral agent before God is to choose the evil.

The irony of envy is that from the religious perspective, it is right. Envy says, “You are no better than me;” the religious person says, “Indeed, I am no better than you; we are both individuals before God, dependent entirely on grace.” Accepting this is what allows the truly religious person to escape the bondage of envy. The faithful person has the complete security of being worthwhile and even loved by God, despite knowing himself or herself to be morally unworthy of that love. The faithful one thus has no need to enviously tear down others, and can rejoice in their value before God as much as in his or her own. Therefore, if you see someone whose sense of self-worth is dependent on asserting superiority over others or tearing them down, you can be sure that this is not “religious” zeal but is in fact faithlessness.

The desire to tear down scientists and scholars and “the elites,” while adulating some self-promoting huckster whose only claims to superiority are the purely mathematical ones of wealth and popularity, is an expression of faithlessness and the bondage of sin, as Kierkegaard understands it. This is true whether the would-be idol is a political demagogue or a religious charlatan, or some combination of the two. It is a sign of an age that has, in Kierkegaard’s words, “annulled the principle of contradiction.” It is an age that fears to let Yes be Yes and No remain No, and wants to eliminate all ultimate distinctions between true and false, good and evil, logical and irrational, so it can avoid having to make a decisive choice. The present age says that all truths are partial and relative and based on perspective, so there is no need to rationally discuss or to question one’s own views; the reflective and passionate view is humbled by reflection but inspired to seek truth nevertheless, admitting that the quest for truth is never-ending while remaining devoted to the quest regardless.

When “the principle of contradiction has been abrogated,” as Kierkegaard said using the language of Hegelian philosophy, there is no absolute truth. Every concept is simply one side of a larger reality. Hegel still had an historical optimism underlying his annihilation of the distinction between truth and falsehood, good and evil; he believed history is progressing towards a state of greater human consciousness, and eventually the race will attain an apprehension of reality that encompasses all of the various perspectives. But for Hegel, that day is not yet; in the meantime, your moral values are simply expressions of your culture’s values and your own class interests. As the 19th century gave way to the 20th and the French Revolution was succeeded by the Munich Putsch, that optimism was harder to sustain. Today we have even more thoroughly abrogated the distinction between true and false, epistemologically and ethically, in what Cardinal Ratzinger called “the dictatorship of relativism.” There is no truth, so anyone who claims to know truth is simply an oppressor trying to impose his (maybe her) will on others; thus the only morally proper and epistemologically correct option is to admit all views are equally valid, even contradictory ones. The problem with that is that the “tolerance” and “honesty” that supposedly demand this admission are themselves moral and epistemological virtues, and thus themselves become victims of reflection. What we end up with is moral nihilism and a contest of irrational wills. As Harry Frankfurt discusses in On Bullshit, today we have a whole category of verbal behavior that is neither truth nor lying, because the speaker is simply unconcerned with either sharing or avoiding the truth. And this may explain Trump’s method and success. Donald Trump does not lie; he bullshits. He says whatever will serve his purpose, and is not concerned with whether what he says is true. Much of the time he does not even know. And to the morally and intellectually vacuous public today, this seems entirely appropriate. In a world where no one can “dictate” truth, and where truth itself cannot dictate, every single person can believe whatever he or she wants to believe. If I want to believe that slavery never happened, or that solar energy sucks heat out of the air and will freeze us all to death unless we burn more coal, or that most American Muslims are terrorists or terrorist sympathizers even though I don’t actually even know how many Muslims there are in America, then I have a right to my opinion. Truth and goodness are replaced by the language of “rights,” and the stupidest and most selfish has as much right as the wisest, for we are all equal. The ability to get others to agree with you is seen not as a triumph for fact over fantasy, but just as a victory of one will over the others. From the point of view of the postmodern person, there is no truth and the best leader is merely the best bullshitter; and the bullshitter who has persuaded the most people to give him or her the most money is clearly the best. From the point of view of the one who is religious in Kierkegaard’s sense of the word, the wisest is the one who recognizes that there is truth, who loves the truth (particularly moral truth) and who attempts to live according to the truth so that his or her life might have some real meaning, but who knows that human existence is always to strive for truth, never to possess it completely. That person will know that anyone might have a piece of truth, and thus anyone is worth listening to, just as Socrates listened to politicians and slaves alike as he went around Athens asking questions. And just as Socrates seemed more than a little odd in a society dominated by demagogues and Sophists, so today any real truth-seeker seems goofy at least, if not absolutely insane. The popular teachers in the days of Socrates were the ones who said “man is the measure of all things, what is that it is, and what is not that it is not;” and the popular leaders were the ones who did not try to make their citizens better morally or better informed, but took them where they were and pandered to their appetites. And in the days of Socrates, that sort of relativism led to moral and epistemological nihilism, leaving nothing to guide the society but the naked ambition of its politicians; and themselves being unguided either by moral principles or factual truth, they led the nation into defeat and destruction. The age without faith is the age without truth, without a love for truth, and thus without guidance how to live or what to choose, a mindless herd following the loudest voice without knowledge of whether it is being led to the sheepfold, or to be sheared, or to the slaughterhouse.

[1] Søren Kierkegaard, “The Immediate Erotic Stages or the Musical Erotic,” in Either/Or, v. I, edited and translated, with introduction and notes by Howard V. Hong and Edna H. Hong (Princeton, NJ: Princeton University Press, 1987) pp. 45ff

[2] see W. Glenn Kirkconnell, Kierkegaard on Ethics and Religion, (New York: Continuum International Publishing Group, 2008) pp. 76-107

[3] see W. Glenn Kirkconnell, Kierkegaard on Sin and Salvation, (New York: Continuum International Publishing Group, 2010) pp. 40-57

 

Boredom, Anxiety and Envy: a Kierkegaardian Attempt to Understand The Trump Question (pt.3)

July 1, 2016

Lastly, we come to envy. Kierkegaard’s central work on envy was written under his own name, after he had finished his earlier pseudonymous discussions of boredom and anxiety. It thus builds on his earlier discussions, particularly of passion, though readers have found it valuable in its own right as well. Envy appears as a central concept in Two Ages: the Age of Revolution and the Present Age, a Literary Review.[1] This work is commonly simply referred to as “Two Ages,” a habit that somewhat obscures the fact that Kierkegaard is in fact basing his thought on a popular novel of his day. The fact that a portion of this work was originally translated into English under that title “The Present Age” further buries this fact, which somewhat hinders understanding his thought here. The novel was originally published anonymously, because it was written by a woman and women generally did not publish under their own names in the 19th Century. Thomasine Gyllembourg, the author, was one of the leaders of Copenhagen’s salon society, widely traveled and the mother of J. L. Heiberg by a previous marriage. Heiberg was himself one of Denmark’s leading poets and intellectuals, and instrumental in introducing Hegel’s philosophy from Germany into Denmark. She originally published her novel anonymously as a serial in a journal edited by her son, building on the anonymous fame she had acquired from an earlier serialized novel; thus Kierkegaard consistently refers to her as “the author of A Story of Everyday Life” and as “he.” (The sources I’ve seen are unclear as to whether or not he actually had a clue who the author was or that “he” was a she; but if anyone was going to respect pseudonymity, it was Kierkegaard.)

The novel Two Ages is a generational story. The first generation is from the Napoleonic period, “the age of revolution,” and revolves around the interactions between a group of Frenchmen and residents of Copenhagen. The second generation includes descendants of these revolutionaries, and represents “the present age,” mid Nineteenth Century Denmark. In both generations, the interactions of the characters, including troubled love affairs, illustrate the differences between the two ages. The age of revolution is the age of passion. It is difficult today, after so much time and so thoroughly immersed in our own present age, to really understand how “revolutionary” that age was. The established order was being overthrown, royal dynasties rooted in the age of Charlemagne were deposed, and grand ideas of “liberty, equality and fraternity” were sweeping the intellectual world and imaginations of people throughout Europe. Even when those ideas led to The Terror and then to Napoleonic imperialism, the ideas continued to stir hearts. Napoleon himself was almost a messianic figure to some artists and intellectuals, even in countries like Germany that opposed him. Beethoven’s Third Symphony, “Eroica” (the Heroic Symphony) was originally dedicated to Napoleon. Hegel regarded Napoleon as one of those world-historical events that changes everything and allows a new level of human consciousness to emerge and take concrete form in a new society; when French forces captured the city where he was teaching, Hegel famously recorded “Today I saw the Absolute Spirit riding into town on a white horse.” In short, in the age of revolution virtually all human consciousness is turned towards a great idea. Some adored Napoleon and the ideals of the French Revolution which he was seen to embody, and others equally reviled the anarchy and oppression of the Revolution and the imperial wars; either way, it was an age of passion. It was not an age of saying, “Well, it has good and bad points, let’s not be hasty,” and all the other equivocations and procrastinations that we hear so often in a less passionate, more reflective age. And this passion is shown in the characters in the novel. They act boldly, even if they act badly. Lusand impregnates Claudine, a shocking thing in Nineteenth Century Christendom, and then abandons her to follow his revolutionary ideals. She in turn is so deeply in love with him that he endures the poverty and humiliation of an unwed mother in her society, waiting for her beloved to return to her. The people of the revolutionary age do great things, whether it is great loves or great sins, taking great risks for causes and ideals beyond their own lives. They interact with each other of course, but their primary orientation is to The Idea, the great principle of the age; each lives his or her life in an individual relationship to this grand passion, and relates to the others and everything else in the light thrown by The Idea.

By contrast, “The Present Age” is an age of reflection, not passion. The characters in the age of revolution were reckless; those in the present age are prudent and calculating. The characters in the age of revolution were shaped by the great passion of the age, by the grand idea that animated everything, and even their society and their relationships with each other expressed their own passionate relationship to that great passion. The characters in the age of reflection have no such animating force to guide them or shape their social world; instead, their lives together are shaped by observation of one another, with subtle sniping and maneuvering rather than grand, open struggles, with calculating how much each has and obsession with ensuring that you never take advantage of me. The age of reflection is thus the age of envy. Envy is, in Kierkegaard’s words, the “negative unifying principle” of the age. In a revolutionary age, everyone and everything is oriented towards the revolution and each one relates to the other through that passionate idea. This provides “form,” by which Kierkegaard means human relationships and society reflect the underlying passion. It thus connects individuals to each other. At the same time, it provides a buffer between them, a mediating force; I relate to you as comrade, as compatriot, as friend or lover in the great sweep of the spirit of the times, or as adversary and enemy or victim as we come down on opposed sides. Even as adversaries, we are at least part of the same conversation. In the reflective, passionless age, people “rub shoulders.” They have no concern other than themselves and each other. I watch others enviously, lest anyone should pretend to superiority over me; and those around me are likewise watching me enviously. As Kierkegaard says, we sit sullen in the great swamp of envious reflective society, croaking. Instead of discussing grand ideas beyond ourselves, we watch and gossip about each other.

Kierkegaard says that in ancient times, society was divided between the hero—-and the masses. A few were recognized as truly great; the rest oriented towards that great person and saw themselves as expressed primarily through the hero. A more reflective but still passionate age can see the hero or leader as a conscious representative of the many and their interests. Although legally an absolute monarch in Kierkegaard’s day, Denmark’s king was already moving in that direction; the king was not the only person allowed to live autonomously, but more the incarnation of the office of state leader. The priest wears robes to reflect that it is not as an individual that he (or today, she) speaks and teaches, but as the particular instantiation of the nineteenth century Danish Lutheran Church to which we all belong. To reverence the person holding that political or spiritual office is to reverence the passion that expresses itself through that form of life, that patriotism or faith. But in the passionless and reflective age, we all know that no one is better than any other, and we express this by demanding that no one be treated as any better than we ourselves. The office means nothing, because the society essentially means nothing since there is no grand idea behind it, no life-giving spirit. The ultimate social expression of this is leveling.

If a passionate revolutionary age “has form,” then a passionless reflective age has formlessness; that is leveling. The age of revolution has a structure that springs spontaneously from the idea of the age; the present age has only artifice and pretense. When anyone seems to rise too far above the herd, the spirit of envy hammers him or her back down. Perhaps the best expression of leveling is the denigration of expertise. If 100 scientists say something, they can be refuted with a simple, “Well, I’m no scientist, but I say you’re all wrong.” If 100 historians say something happened and produce documents from the time, it is enough to say, “Well, I’m no historian and I haven’t read all those old papers, but I say you’re wrong.” As Kierkegaard said, if one real knowledgeable person says something, that is treated as a curiosity. But take a bunch of ignorant people, who each individually avoid responsibility by saying, “Well, I’m no expert,” and add them together, and suddenly their view becomes an important opinion, even that greatest oracle of all, Public Opinion. That is a superiority that envy can accept, because no one is claiming anything other than mathematical significance. You simply treat every human being as =1, add them all up, and whichever group has the most is the truth for today; tomorrow we may take a new vote.

Kierkegaard wrote in a society that was really only beginning the transition to capitalist modernity, so he did not consider the other sort of addition leveling endorses: counting money. If a scientist says, “Listen to me, I have studied this question my whole life, done experiments and examined the research of others,” envy is more likely to resent the claim of intellectual superiority. If a political leader says, “I have worked at these ten jobs in government and learned from my mistakes and my successes,” envy is as likely to resent the elite. But if someone comes along and says, “I’m really rich,” that is something envy can embrace. You would think envy would resent the other’s wealth, but no; it might covet, but does not resent, because wealth is not a claim of personal superiority. Anyone can have money, whether by inventing a new device or exploring a new land to find rare gems, or by inheriting or winning the lottery. What envy wants, above all else, is to claim that you are no better than me, and really any of us could have done the same thing so it is as good as if any of us actually had. Donald Trump exemplifies that in spades. His speeches are delivered at a fourth-grade level of vocabulary. He regularly makes statements that are demonstrably false, and it is impossible to tell when he is lying and when he is just genuinely stupid. One journalist and former political worker describes the overwhelming impression of meeting Donald Trump in one word: incurious. He has no questions, there is nothing he wants to learn, and he is unconcerned with whether reality agrees with him. He has money. Call him stupid, call him racist, call him dishonest, and he’ll lash out but basically roll with it. Question his net worth and you will wind up in court. His self-image does not depend on his personal qualities but on the abstract, impersonal characteristics of (1) money, and (2) popularity, measured in poll numbers. Leveling can accept that sort of claim to superior non-superiority. It fulfills our need to have SOME sort of authority, while at the same time insuring that the “leader” is no more essentially qualified than any of us, maybe even less.

To be continued….

[1] Søren Kierkegaard, Two Ages: the Age of Revolution and the Present Age, a Literary Review; edited and translated with introduction and notes by Howard V. Hong and Edna H. Hong (Princeton, NJ: Princeton University Press, 1978

Is Role-Play Gaming a Religious Exercise? Thoughts on Tolkien, Campbell and Role-Playing Games (pt. xiii)

May 30, 2013

            What “way out” do role-playing games know?  In a sense, they know “actuality’s way out” even when they are most fantastic.  They may be unrealistic, but they must be internally consistent; and within that consistency the characters expect the assistance of actuality fully as much as do the heroines in A Story of Everyday Life.  Even in Call of Cthulhu, you need to give the players some chance to survive against the eldritch horrors they alone know lurk in the darkness, and chances for victory (however temporary and limited) against the evil plots of insane wizards and fanatical cultists.[1]  On the other hand, the theories of Jung and Campbell suggest that whether or not the myth is understood as actual history or poetic metaphor, it still functions by lifting the individual out of the concrete particularities and trafficking symbolically with great existential and metaphysical realities.  This would seem to be “imagination’s way out” by Kierkegaard’s standards.  Perhaps part of the power of role-playing games is that they uniquely combine elements of actuality and transcendence, by allowing players to act as particular concrete (albeit fictional) characters who still symbolically express and embody universal powers and eternal values.

 

            Kierkegaard says, however, that the escape of imagination or actuality will not suffice; only the religious can save from the power of leveling.[2]  The individual who wishes to escape leveling cannot hope to stand alone against the combined envy of everyone else, not to mention the power of his or her own reflection and the self-doubts it raises.  The individual must choose to stand as an individual against the power of leveling to force everyone back into the herd; but that choice alone is only the first step.  The next step is to stand before God as an individual, and to allow one’s relationship with God to affirm one as an individual.  The fact is that leveling is right, in a way.  Envy says, “Who do you think you are; do you think you are better than us?”  Religious humility says, “I am no better than any of them; we are all equal before God.”  But just as people in the age of revolution were individually oriented towards an idea, and united in being oriented towards the same idea, so in the age of reflection an individual can be oriented towards God and sustained as an individual; and all those who likewise orient themselves as individuals towards God are united with one another as individuals in equality.  Without some greater idea, selfhood collapses, and all becomes crudeness and the herd mentality.  Only those who have something more to live towards than their own selves can preserve their own selves in the crowd, by living as individuals with a great task; but reflection tears down every partial idea and incomplete goal, calls them into question, undermines them and the self-confidence of the individual who looks to them for sustenance, and ultimately reflection wins the day, leaving the essential equality of all individuals to collapse into the mutual envy of the members of the herd.  God is not a partial idea; God is the absolute telos, as Kierkegaard says in another book, the goal that can relativize and also complete all other goals.  For this reason, Kierkegaard thinks, the individual can turn to the religious to find the power to sustain the sense of individuality even in the age of reflection.  Only the religious provides the task that unites all tasks, the “idea for which I am willing to live and die.”[3] 

 

To be continued….


[1] From a Campbell/Jungian point of view, such games seem to symbolize the journey of Life and the struggle against Death, a struggle we know in the end we will all lose.  Horror role-playing seems to accept that dark reality, but seeks to find meaning in the struggle itself for as long as it lasts.  From Tolkien’s perspective, this seems similar to his understanding of the pagan world-view in general, and the Norse view in particular; see “The Monsters and the Critics,” p. 117.  The players, like the Norse warriors, are called to fight on the side of right, knowing all the time that Chaos and Unreason ultimately will triumph; for it is better to be right and defeated than dishonorable and victorious.

[2] Two Ages, pp. 85-90, 106-109

[3] as Kierkegaard put it in his journal on August 1, 1835

 

Is Role-Play Gaming a Religious Exercise? Thoughts on Tolkien, Campbell and Role-Playing Games (pt. x)

May 8, 2013

            Towards the end of Kierkegaard’s pseudonymous phase, he wrote a book review in his own name:  Two Ages:  The Age of Revolution and the Present Age, a Literary Review.  Being one of Kierkegaard’s signed works, it is a much more straightforward expression of his views.      This is a review of a novel; it is neither a fantasy nor a role-playing exercise, though it is fiction.  As fiction, it does share some qualities with the fairy-story. Kierkegaard says of the novel Two Ages that “The author has been faithful to himself.[1]  In this we see that the author has, as Tolkien would have put it, been consistent in creating her Secondary World for the reader to enter.[2]  Like Tolkien, Kierkegaard even compares the creativity of the writer to that of the Creator, although he does not go as far or become as explicitly theological in his comparison.  It is not quite religious, says Kierkegaard, but it tends in that direction; it knows “actuality’s way out” from the pain of life, rather than “religion’s way out.”[3]  And for this reason, it can offer “a place of rest” for the reader.[4]  This sounds very much like the role of Escape in the fairy-story, as described by Tolkien.  And the “way out” sounds more than a little like Consolation.  One difference is that while Tolkien is ready to describe the fairy-story as a kind of gospel, Kierkegaard takes pains to specify that no novel or work of “poetry” could be truly religious, since the realm of the religious is actuality and the poetic deals only in possibility.  But the novel simulates actuality and can thus offer insights into it.  I suggest that in the same way, a role-playing game can simulate life and in the process suggest truths about life (or, if the game is badly written, suggest lies).

 

            The “two ages” Kierkegaard discusses are the “age of revolution” and “the age of reflection,” or “the present age.”  The novel compares these two ages by presenting two love stories, both of which take place in Denmark (the country of publication).  The first takes place with the French Revolution as a backdrop.  A group of French travelers, including envoys of Napoleon, arrives at the house of a well-connected Danish merchant.  Their stay brings the passion and historical power of the Revolution to the home, stirring passion among the Danes as well.  This passion flows through everything from world-historical struggles and ideological debates to clandestine love affairs.  After love, separation, an illegitimate birth and reconciliation, young lovers are finally reunited and the first part of the novel ends.  The second part of the novel likewise revolves around a love affair, but it takes place in the reflective, petty age we live in now.  No charismatic foreigners come to Copenhagen to arouse the passions; there are no passions to be found.  Instead there is backbiting, gossip, envy and indecisiveness.  Instead of lovers who are driven by passion to do forbidden things, there are young people afraid to love because he doesn’t have enough money to support her.  Instead of the dangers and trials of a world at war, there are the snide comments of servants ridiculing the young stepdaughter of the family.  As Kierkegaard puts it, “If we say of a revolutionary age that it goes astray, then we must say of the present age that it is going badly.”[5]  As his own first pseudonymous work put it, in the Old Testament people have passion:  they murder, they curse their descendents, they sin; today they lack the energy, and at most try to weasel their ways through life with a little self-indulgence here and there.  This is what he sees illustrated in the novel.  The characters are driven by petty concerns to indulge in petty behaviors.  Instead of being united by some great passion and forced to decisively choose whether to be for or against (but all concerned for the same thing, the Revolution), today all are only interested in one another, in who is getting too full of himself or herself, who needs to be brought down a peg.  The only social force uniting people is envy, and the only result is not revolution but leveling.[6]  In the novel, Kierkegaard sees this illustrated in the petty meanness to which the heroine Marianne is subjected, merely because she is a stepdaughter (and hence vulnerable) and because she dares to love and to hope.  Kierkegaard sees this same dynamic playing out in society as a whole, becoming a social force on its own.   In the age of revolution, people looked for a great person, a Napoleon or a Luther, who would incarnate the great ideas and towards whom they could orient themselves either by joining or opposing; but today “the age of heroes is past.”[7]  Now, they only seek out the great ones to watch them, hoping to see them fall so they can all mock them for thinking themselves superior to the rest of us, or so they can tell themselves that the deed really wasn’t so great, anyone could have done it really, so again envy is satisfied:  “whereas a passionate age accelerates, raises up and overthrows, elevates and debases, a reflective apathetic age does the opposite, it stifles and impedes, it levels.”[8]  Whole social institutions (most notably the modern press) exist solely to tear down what is great and noble and exceptional, without anybody having to take responsibility for doing so. 

 

To be continued….


[1] Søren Kierkegaard, Two Ages:  The Age of Revolution and the Present Age, a Literary Review; translated with an introduction and notes by Howard V. Hong and Edna H. Hong (Princeton, NJ:  Princeton University Press, 1978) p. 13, italics Kierkegaard’s. 

[2] Kierkegaard knew full well that the anonymous author was a woman, but respecting her anonymity he consistently refers to the author as “he.”

[3] Two Ages, pp. 14-15

[4] Two Ages, p. 21

[5] Two Ages, p. 69

[6] Two Ages, pp. 68-96

[7] Two Ages, pp. 87-89

[8] Two Ages, p. 84